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The Double-Edged Brush: Why John Singer Sargent Loathed the Lucrative World of Society Portraits


Born in Florence to American parents (January 12, 1856 – April 14, 192), he was trained in Paris before moving to London, living most of his life in Europe. He enjoyed international acclaim as a portrait painter. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Boston, Maine, and Florida.


John Singer Sargent, a name synonymous with opulent portraits and the embodiment of the Gilded Age. His paintings, with their vibrant brushwork and captivating subjects, adorned the walls of mansions and museums alike. But behind the scenes, a fascinating truth lurks: Sargent, the artist who raked in a staggering sum (equivalent to roughly $130,000 today) per portrait, eventually loathed the very genre that made him a rich and a star.


So, what caused this artistic souring? Society portraits were all about portraying wealth and status. Sargent, a man of keen intellect and artistic talent, craved creative freedom. He likely grew tired of churning out portraits that were essentially the same – subjects in lavish attire, exuding an air of unearned superiority. These grand portraits were time-consuming endeavors. Sargent, forced to meet the demands of his wealthy patrons, found himself restricted in exploring other artistic avenues which made him grow resentful of the portrait genre. Sargent likely craved a deeper connection with his subjects. Capturing not just their opulent exteriors, but their inner lives and personalities. Society portraits, by their very nature, were often superficial, failing to provide the artistic passion Sargent desired.


This internal conflict manifested in his later works. While still accepting portrait commissions, Sargent gravitated towards a looser, more impressionistic style. He also began accepting portrait commissions executed in pencil and charcoal which wasn't as time consuming and yet still very lucrative. His focus eventually shifted to landscapes and everyday scenes, a stark contrast to the gilded cages he had previously immortalized.


John Singer Sargent's story offers a valuable lesson: artistic success doesn't always equate to artistic fulfillment. Despite the financial rewards, Sargent’s yearning for creative expression ultimately led him away from the genre that made him famous. It's a reminder that true artistic satisfaction often lies in following one's own creative compass, not just the demands of the market.




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